b.1967 in Oskarshamn, Sweden.
Lives and works in Paris and Stockholm

Konsthögskolan, Stockholm, Sweden
Hochschule der Künste, Berlin, Germany


Selected Public Collections
Göteborgs konstmuseum, Gothenburg, Sweden
Museu de Arte Moderna (MAM), Sao Paulo, Brazil
Guangdong Museum of Art, Guangzhou, China
Contemporary Art Gallery, National Museum, Szczecin, Poland
Bonniers Konsthall, Stockholm, Sweden
Stockholms läns landsting, Stockholm, Sweden
Abecita konstmuseum, Borås, Sweden
Zendai Contemporary Art Exhibition Hall, Shanghai, China


Selected Solo Exhibitions, Major Performance and Events


Trickster Ceremony, Museo de Arte Contemporeano de Queretaro

Mira Miraculous, Galeria Liberdad, Santiago de Queretaro, Mexico and Elbirou Gallery Sousse, Tunisa
Friendship in the Age of Gaslighting, AllArtNow, Stockholm
Alpha Xiao, Hökarängens antikvariat, Stockholm
Do Trees Dream of CO2, Bioart Society, Helsinki
Hypnotic Sound Journey, La Generale, Paris
Island CO2, Teatermaskinen, Riddarhyttan, Sweden.

Neu Oscillations, Vetenskapsfestivalen, Gothenburg and 3031 Art Fest, Cairo
Beyond Prestige, Rawabat Theatre, Cairo.

An Infinite Love, Kl. 9, Stockholm
Duet with a Dying Plant, Brandenburger Kunstverein, Potsdam

Transversal Madness, (with Carima Neusser) Satyrianas festival, Sao Paulo, Brazil (2019), F4Libre, Cuarnevaca, Mexico and El Dia D, Mexico City

New Eyes, (with Carima Neusser,) Pulqueria Insurgentes and CICO, Mexico City, Mexcio
Per Huttner with Friends, Galleri Ekdahl, Karlstad, Sweden

The Boundaries of Death Challenged, (With J-L Huhta and JC Saintlilus) Lenin, Murmansk; Ä’vv Skolt Sami Museum, Neiden; Terminal B, Kirkenes; Fristaden, Stockholm and Putte’s Bar & Pizza, Helsinki.
More Eyes, (with Carima Neusser and Siri Jennefelt), Biblioteca Vasconelos Mexico City; Torrance Art Museum, Torrance and OC Oswaldo de Andrade, Sao Paulo
Spiritual Lap Dance, (with Carima Neusser), Winslow Garage, Los Angeles and Folie Numerique, La Vilette, Paris
The Electric Brain, (with 1+1=3) Biblioteque Charcot, Paris

Wayob, Galleri Fagerstedt, Stockholm, Sweden.
Start in the Middle, (with Carima Neusser and Siri Jennefelt) Albumarte, Rome, Italy; Vallastaden, Linköping; Energiverket, Jakobstad, Finland, St Pierre, France and Galleri Fagerstedt, Stockholm

What is Potential? Exploring Aristotle, Art and Medicine, Wellcome Collection Reading Room, London
The Silence, Galleri Fagerstadt, Stockholm, Sweden
V8skan, Nobelmuseum,Stockholm, Sweden

Poseidon Recreates Lake Texcoco, Alam + Petrov, Mexico City, Mexico

La Camera Horloge, Borealis, Artoteque, Bayeux, France
Unhidden, Valerie Lambert Gallery, Brussels, Belgium

(In)Visible Dialogues (with Elias Arnér), curated by Lena Boëthius, Konstakademien, Stockholm, Sweden
Quantum Police, curated by Anne Klontz, The Old Police Station and Cartel, London.
Putting Out the Fire with Gasoline, Manufactura’s Studio, Wuhan, China
Quantum Police, curated by Anne Klontz, Valerie Lambert Gallery, Brussels.
Dionysus in China, Guilin Art Museum, Guilin, China

>Unknown, curated by Alessandra Sandrolini, Zendai Contemporary Art Exhibition Hall, Shanghai, China
Imminent, curated by Cecilia Canziani, Fei Art Center, Shanghai, China

Do not Go Gentle curated by Daniele Balit, ERBA and Musée du temps, Besançon, France
Calabi-Yau Presents, Gerlesborgsskolan, FACT, Liverpool and VCA Margaret Lawrence Gallery, Melbourne (3 parallel exhibitions in galleries and public spaces).

Democracy and Desire III, Abecita konstmuseum, Borås, Sweden
Filling the City with Dreams, Zendai MOMA, Shanghai, China.
Oiseau d’été, (with Kurt Johannessen) Galerie de la Butte, Paris, France

Democracy and Desire II, The Romanian Cultural Institute, Stockholm, Sweden
Illuminating the Inside(out), Galleri Skarstedt, Stockholm, Sweden
Catharsis, RaidFC, Los Angeles, USA

Xiao Yao You, Guangdong Museum of Art, Guangzhou, China
Tundro, Contemporary Art Gallery, National Museum, Szczecin, Poland
Repetitive Time, Göteborgs Konstmuseum, Gothenburg, Sweden
Democracia y Deseo, Vacio 9, Madrid, Spain

New Work, Galleri Skarstedt, Stockholm, Sweden
Participate?, Chinese-European Art Center, Xiamen, China and Basekamp, Philadelphia, USA
Per Hüttner, Xposeptember, Liljevalchs Konsthall, Stockholm, Sweden
Meandering and Circling, NORD Kultur, Backfabrik, Berlin, Germany
Per Hüttner, Redux Project Space, London, UK

I Am a Curator, Chisenhale Gallery, London, UK
Reality? Exactly Which Reality Are You Referring To?, Kontainer Gallery, Los Angeles, USA.
Recycling the Rejects, Sub Bau, Göteborg, Sweden

About Weddings and Commodities, Raid Projects, Los Angeles, USA
Fadren, Platform, Vasa, Finland
Curatorial Market (collaborative project), Cuchifritos & Essex St. Market, New York City, USA
Från Guldheden till Lusaka, Galleri Mors Mössa, Göteborg, Sweden
Reading Matter, Artspace, Sydney, Australia
Knowledge and the Corporeal, Konstakuten, Stockholm, Sweden and Noass, Riga, Latvia

Content and Redundancy, Heland Wetterling Gallery, Stockholm. (Performance with Apostolos Dimitrakopoulos).
Begrepp – En Samling, Galleri Mejan, Stockholm, Sweden (with Elias Arnér)
320 Minutes, Kalmar Nattmuseum, Kalmar, Sweden
Arvidsson Antikhandel, Stockholm, Sweden (rearrangement of antique shop with Mattias Larson)


Selected Group Exhibitions, Concerts and Performances

Trickster Tricking Himself, Le Café de Paris, Paris
Mira Miraculous, Festival International d’Art Video in Casablanca, Morocco.
Do Trees Dream of CO2, Korpoström, Finland.
Circle Squared Hypnosis, Le Cube Garges, Paris
Codspawning and Music, Östersjöfestivalen, Stockholm
EEGsynth, La Generale, Paris
LPJ-L, Unnaryds kyrka, Unnaryd, Sweden.
Circle Squared Hypnosis, Unnaryds kyrka, Unnaryd, Sweden.
Animist EEG Journey, Teatermaskinen, Riddarhyttan, Sweden.
A Clockwork Microbe, Governing Bodies, Verkstad konsthall, Norrköping, Sweden
Torsk på Tekniska, Tekniska museet, Stockholm
The Microbiome event – Science, Ethics and Art, GUM, Ghent, Belgium
Do Trees Dream of CO2, Kuntsi Art Museum, Vaasa, Finland
Mira Miraculous at Elbirou Gallery in Sousse, Tunisia.
Stuff it, Bonniers konsthall, Stockholm

Ghetto Gucci, St. Kunigundis, Atis Resiztans, documenta fifteen, Kassel, Germany.
The Palliative Turn, Künstlerhaus Bremen, Bremen, Germany.
Ghetto Gucci, Weld, Stockholm
Parallel Structures, The Teheran Summit, Teheran
Microbes and Emergence – Governing Bodies, Bioart Society and Akusmata, Helsinkfors.

Noise of the Sacred and Profane, Index, Stockholm
Surgery and Ontology, An Infinite Love – Paris, Chatenet, Paris
Untitled 2005, The Stockholm School of Economics, Stockholm
Music for Governing Bodies, Blågårdens bibliotek, Copenhagen
Submission (music for a performance), Ufer Studios, Berlin
A Palliative Turn, Brandenburger Kunstverein, Potsdam
Re-Caminhando, Östersund, Sweden
Delta, Fondazione Lac o le mon, Lecce, Italy
Trust – A Guided Tour, Konstnärshuset, Kl.9, Stockholm
Dreams and EEG, Firefly Frequencies, radio transmission, Italy

The Power of Ontologies, 2084, The Cable Factory, Helsinki
Delta, Marzabotto, Italy
Départ, Gremio Caldense, Caldas de Rainha, Portugal
5 chosen books, Publics, Helsinki
Re-Caminhando, Italienska palatset, Växjö, Sweden
Transformation II, online festival with P-node and Antivirus radio.
Anti-exhibition, Southwest School of Art , Austin, Texas
Monitorn, Helicotrema, Villaggio Artigiano di Modena Ovest, Italy.
Revolution Cool Corona, the Nature Within, Media Artes, Växjö
diSEULTOS, Roma 303, Mexico City

Revolution Cool Kepopoz, The 6th Ghetto Biennial, Port-au-Prince, Haiti.
Andouilette (performance with 1+1=3), Aalto University (Väre), Espoo, Finland
Start in the Middle, (curated by Dansehallerne), Kunsthal Charlottenborg, Copenhagen, Denmark
EEGsynth, (performance with 1+1=3), Akusmata Helsinki, Finland
Aqua Viva, Gremio Caldense, Caldas da Rainha, Portugal
Transdisciplinary Romanticism, Bergen Assembly, Bergen Norway
North American Indigenous World Views and Inter-human Touch, Are You Touched, Energiverket, Jakobstad, Finland.
AnAtomic (performance with 1+1=3), Trädgården, Stockholm, Sweden
IASIS, Tiltplattform, Loutraki, Greece
Transformation (performance), R1, Stockholm, Sweden
AnAtomic (performance with 1+1=3), Folkteatern, Gothenburg, Sweden
AnAtomic (performance with 1+1=3), INES, Kulturhuset fyren, Kungsbacka, Sweden
JPO, ISBA, Besançon, France

Hemispherics (performance with 1+1=3), IKLECTIK, London
Odyssey II, Torrance Art Museum, Torrance, CA
New Eyes (Performance with Carima Neusser), Rönnells antikvariat, Stockholm
Radiokärlek, Cafe Nörd, Tekniska museet, Stockholm, Sweden
Tous les printemps du monde, Fort Griffon, Besançon, France

Gossip Cards, (Performance) Museo Jumex, Mexico City, Mexico
Stadslandskap, fragment, minnen, visioner, Göteborgs konstmuseum, Gothenburg, Sweden
Capital(e) Lumière, Maison Victor Hugo, Besançon, France
Double Helix, Local Minima, (Performance) Fullersta Gård, Stockholm
Hypnotic Feedback,
(Performance with 1+1=3) Rönnells antikvariat, Stockholm and Konsthallen Växjö
EEGsynth (Performance with 1+1=3), Fullersta Gård, Stockholm
Can Contemporary Art Be a Party, L’Aspirateur, Narbonne, France

0/0 – for Jeanette, Bonniers konsthall, Stockholm
Gärning – Fotografi ur Göteborgs konstmuseums samling
, Göteborgs konstmuseum, Gothenburg
Untitled Performance
with 1 +1=3 with Marcos Lutyens, 5 Car Garage, Los Angeles, USA
Ohio Impromptu Revamped, with 1 +1=3, A Ship in the Woods, San Diego, USA
Untitled Performance, 1 +1=3, with The Science of Consciousness, The University of Arizona, Tucson, USA
The Shift, Flat Time House, London, UK
Vidéo Capitale, Champlitte, France

Human Parallells, Collateral Event, Biennale Jogja XIII, Yogyakarta, Indonesia
Decision- Making Fugue (w. Elias Arnér), The Fugue – OuUnPo Stockholm, Hallwylska Museet, Stockholm, Sweden
Troubled Waters, 10th Baltic Contemporary Art Biennial, Contemporary Art Gallery, National Museum, Szczecin, Poland
Prototypes, Duplicates and Cast-offs, Systence Systems, Jiading; V Art Center, Shanghai, China
Assured Stability, V Art Center/FCAC, Shanghai, China
Back to the Trees, Forêt de Chaux, Le Saline Royale, France
Portes ouvertes, ISBA, Besançon, France
Gyllene Tider, Galleri PS, Gothenburg, Sweden

Normalcy (with the Ö artists), Moderna Bar, Moderna Museet, Stockholm, Sweden
OuUnPoeïsis (with OuUnPo), Fondazione Orestiedi, Gibellina Nouva, Sicily, Italy
Change & Exchange, Halle 50, München and Werkstattkino, München, Germany

33 Panorama da arte brasileira, Museu de Arte Moderna (MAM), Sao Paulo, Brazil
Transmedia, Palais de Tokyo, Paris, France
Something There, (with Fatos Ustek) Spiral, Wacoal Art Center, Tokyo, Japan and public space Yokohama 
An Opera in Five Acts, David Roberts Arts Foundation, London, UK
Drawing Biennale, The Drawing Room, London, UK

An Opera in Five Acts, David Roberts Arts Foundation, London, UK
Malleability is Architecture’s Neighbour, Rockbund Art Museum, Shanghai, 2012 (performative lecture)
L’entremet, La Vie des Formes, Les Abattoirs, Toulouse, France
The Humans Senses and Time, Excentricité (w. Fatos Ustek), Besançon Observatory, Besançon, France
OuUnPo, guided tour, (w. Klas Eriksson), Beirut, Lebanon
Between the Flaneur, Prositution and Gambling, (w. Sara Giannini) National Museum of Lebanon, Beirut.
Her Sad Pardone (w. Fatos Ustek), OuUnPo[RTO], Porto, Portugal
Neither You nor Me (with A. Paulin and A. Mossling), Hallwylska museet and Tekniska Museet, Stockholm.

Don’t push me ‘cause I am close to Dionysus, Concrete Poetry, The Hayward Gallery, London, UK
Everything Changes, Everywhere and all the Time (it always has and always will), (w. Fatos Ustek), Space Matters, Tate Modern, London, UK
Le choix de titre est un faux problème, CNEAI Paris, Paris, France
Notes from a Grainy Surface (w. Fatos Ustek), A CLOCK THAT RUNS ON MUD, curated by Jennifer Teets, Nero Magazine, Italy
La Durée (w. Fatos Ustek), Tesla Museum, Belgrade, Serbia
(In)visible Dialogue, (performance) CNEAI Paris, Paris, France (w. Samon Takahashi)
Drawing 2011, The Drawing Room, London, UK
Greendays, neon>campobase, Bologna, Italy; AAA – Audiovisual Artists Anonymous, Brussels, Belgium; Eastside Projects, Birmingham, UK and Fabrica de Pensule, Cluj-Napoca, Romania

0K, (w. Fatos Ustek), Blago Bung 5, Emily Harvey Foundation, New York, USA
Quantum Police, (performance with J-L Huhta) curated by Anne Klontz, DKTUS, Stockholm, Sweden
The Invisible Generation (As “Private Contractors” w. Olav Westphalen), Les Kurbas Center; The National Museum of Art and artist street, Kiev, Ukraine
Homomecanus, CAPC, Bordeaux, France
0K – in 5 Acts, (w. Fatos Ustek), The Flat Time Ho, London, UK (performance/presentation)
Ponder Pause Process (A Situation), Tate Britain, London, UK (performance/presentation)
The Narrators, Inheritance – Shenzhen, Shenzhen, China
Ouunpo MACRO, Rome, Italy

Love in The Age of Postponed Democracy, Kunsthalle Luzern, Switzerland
Drawing 2009, The Drawing Room, London, UK
The Invisible Generation, OCAT, Shenzhen, China
The Invisible Generation, VCA Margaret Lawrence Gallery, Melbourne

Crash – The other versions, Liverpool Biennial, Liverpool UK and various public venues in Zürich, Switzerland and London, UK.
Nothing to declare, 4th. Oberschwaben Contemporary Art Triennial, Friedrichshafen, Germany
Nothing’s gonna change my world, 1:1 Projects/Swiss Institute, Rome, Italy

Pleins Phares, Curated by Fabienne Fulcheri, Musee National de l’Automobile, Mulhouse, France
Evolution de L’art, Evolution de L’art, Bratislava, Slovakia
Plausible Artworlds, ICA, Philadelphia, USA
Gongzhen, Museum of Contemporary Art MoCA Shanghai; Museum of Guangzhou Art Academy; RCM Gallery, Nanjing; Shenyang, Museum of Lu Xun Art Academy; Sichuan Fine Arts Museum, Chengdu; Today Art Museum, Beijing, China

Art is always somewhere else, International Biennial of Young Artists, Bucharest, Romania
20 Years!, Bonniers Konsthall, Stockholm, Sweden
Taking Inventory: Transformation Through Compilation, Mark Moore Gallery, Santa Monica, USA

Metropolis, Baltic Biennial of Contemporary Art, National Museum, Szczecin, Poland
Institute of Contemporary Agora II (with Zhang Wei), ICA, London, UK
La Cure II, Parc Saint Léger/Centre d’Art Contemporain, Pougues-les-Eaux, France
CopyFight, Centre d’Art Santa Monica, Barcelona, Spain
Realitäten II, Fotogalerie Wien, Vienna, Austria
Curating Degree Zero, Spike Island, Bristol; International Project space, Birmingham; Northern Gallery for Contemporary Art, Sunderland; Artspace, Imperial College, London, UK; Sparwasser HQ, Berlin, Germany, Insa Art Space, Seoul, Korea (2005- 2007)

2004, ICA, London, UK
Connecting the Dots, LeRoy Neiman Gallery, Columbia University, New York, USA

BIDA 2003, Centro de Arte de Salamanca, Spain
Aletheia, Göteborgs Konstmuseum, Sweden
La International, Cherry de los Reyes Gallery, Venice, USA
Re-inventing the La-La-Landscape, Helen Pitt Gallery, Vancouver, Canada

Slowdive, Yerba Buena Center for the Arts, San Francisco, USA
STRIKE, Wolverhampton Art Gallery, Wolverhampton, UK
Ego, Chinese-European Art Center, Xiamen, China
Foto, (with A. von Hausswolff and L. Antonsson), traveling exhibition, Sweden (2002-04)

Group Show, Vilma Gold, London, UK
…all we need is a preacher and a motel…, Galerie Friche Belle de Mai, Marseille, France
3 in 1, Nylon Gallery, London, UK
Travelogue, Orange County Center for Contemporary Art, Santa Ana, USA
Odyssée, (curated by Frotté), traveling exhibition, Norway (2001-02)

Knock Off, Or Gallery, Vancouver, Canada
Where Did You Find Me?, Incubator, London; James Hockey Gallery, Farnham, UK
Körper I, Fotogalerie Wien, Vienna, Austria

Oreste, 48th Venice Biennale, Venice, Italy, 1999 (performative lecture)
Club-Europa, (organized by Unit), The Nunnery, London, UK
The Bible of Networking, Sali Gia Gallery, London, UK; P-House Gallery, Ebisu, Tokyo, Japan; Art Center, Art & Culture Foundation, Seoul, Korea (1998, 1999, 2001)
The Reflective Surface, Kaapelin Galeria, Hensinki, Finland; Färgafbriken, Stockholm, Sweden; and Fotogalerie Wien, Vienna, Austria (1998-1999)

Fasten Seatbelts, Galerie Krinzinger, Vienna, Austria
Take Off, Galerie Krinzinger, Benger Areal, Bregenz, Austria
Muu Media Festival, Kiasma, Helsinki, Finland
Intalinka, disused airfield, Haapsalu, Estonia

Maria Bonnier Dahlins stiftelse, special utställningen, Stockholm Art Fair, Sweden
Deadline, Uppsala Konstmuseum, Sweden
Re-evolution, Internet project and CD-rom, The Museum of Contemporary Art Helsinki, Finland.
Standort und Auftrag, Dienstleistungszentrum, Bankgesellschaft AG, Berlin, Germany
När Katten är Borta…, Galleri Andreas Brändström, Stockholm, Sweden


Published Monographies
The Quantum Police, Per Hüttner, edited by Anne Klontz; Lambert Gallery and Vision Forum 2011,
(In)visible dialogues, Edited by Elias Arnér and Per Hüttner, Published by Dent-de-Leone 2011.
The Imminent Interviews,with a text by Cecilia Canziani, interviews by Wang Dan and Li Xiaofei; published by Fei Contemporary Art Center, Shanghai and Vision Forum 2010,
Democracy and Desire: Per Hüttner, The Romanian Cultural Institute and Vacio 9, Madrid, 2007
Repetitive Time: Per Hüttner, Göteborgs konstmuseum, Sweden, 2007
Xiao Yao You: Per Hüttner, Guangdong Museum of Art, Guangzhou, China, 2007
I am a Curator: Per Hüttner, Chisenhale Gallery, London, UK, 2005
Per Hüttner by Duncan McLaren, Curatorial Mutiny, Stockholm, Sweden, 2004
Curatorial Mutiny, edited by Per Hüttner Curatorial Mutiny, Stockholm, Sweden, 2003
Begrepp –En Samling, edited by Per Hüttner and Elias Arnér, Konsthögskolan Stockholm, Sweden, 1992


…I/C…, A Novel, 334 pages, excerpts published by Bookworks, London, 2010 (Unpublished)
…it…, A Novel, 399 pages (Unpublished)
…them…, A Novel, 179 pages (Unpublished)
Moebius the Astronomer, Novella, 2012, 86 pages (Unpublished)


Selected Grants and Residencies
El Dia D, Santiago de Queretaro, Mexico 2023
Preparing Local Role Models, Out of the Circle, Cairo, 2021
Residency, Källskär, Åland Islands, 2020
Out of the Circle, Cairo, Egypt, 2020
Terminal B, Kirkenes, Norway, 2018
Pikene på Broen, Kirkenes, Norway, 2017
A Ship in the Woods, San Diego, USA, 2016
Alam + Petrov, Mexico City, Mexico, 2013
Manufactura’s Studio, Wuhan, China, 2010
Guangdong Museum of Art, residency, Guangzhou, China, 2006
Springhill Institute, residency, Birmingham, UK, 2004
Raid Projects, residency, Los Angeles, USA, 2002
Triangle-La Friche Belle de Mai, residency, Marseille, France, 2001
IASPIS, residency, 18th Street Art Complex, Santa Monica, USA, 2000-2001
Nifca, residency, Riga, Latvia, 1999
Karl Hofer Gesellschaft, residency, Berlin, Germany, 1991
Maria Bonnier Dahlins Stiftelse, Stockholm, Sweden, 1989


Selected Articles (on the artist’s work)
“Escondido Impromptu”“Chad Deal, San Diego Reader,” 2016
“Per Hüttner på Galleri Fagerstedt,” Anders Olofsson,, 2015
Interview by Alex Ross, The Inclusion, David Roberts Arts Foundation, London, UK, 2013
“…Curating Cultures..” Paul O’Neill, MIT press 2012, USA.
“Support Structure,” Living as Form, p. 134-35, Ed. Nato Thompson, Creative Time, New York, USA
“Per Hüttner: La Police Quantique”, Anne Klontz, Mobile 03, 2012, France.
“Space Matters”, Jean Matthee, p. 47-48 published by Tate Modern and NTNU’s Faculty of Architecture and Fine Art, 2011.
“Les Mutations Actives de Per Hüttner,”Nathan Delancey, p. 40-41, Novo Numéro 7, 03 2010, Frankrike.
“Has Man a Function in the Universe?” Book Review, Book Works,
 AN-magazine, UK, 23 February 2009, by: Megan Wakefield
”Support Structure Part 1,” Support Structures p. 115-128, ed. Céline Condorelli, Sternberg Press, Berlin 2009.
“Per Hüttner and Gavin Wade interviewed by Barnaby Drabble” in Marianne Eigenheer (Hg.) Curating Critique – ICE Reader 1, 2008.
“Filling the City with Dreams”, errors, deceits, mistakes no 3, 2008, p.72-82, Cneai, Chatou, France
“Per Hüttner,” Fotografisk Tidskrift 1, 2008, Gösta Flemming, p. 23, 28-29, Sweden
“Creative Explorations New Approaches to Identities and Audiences”, David Gauntlett, p. 119-20. Routledge, UK, 2007.
“Joggaren har tagit en vilopaus”, Anna Brodow, Svenska Dagbladet, Kultur s.9, May12, 2007, Sweden
“Tundro, znaczy wolnosc” Marta Eloy Cichocka, Fotograficzny Biuletyn 09/2006 (58), p.48-50, Poland
“Per Hüttner”, Francesca Pagliuca, Tema Celeste 117, p. 102, 2006, Milano, Italy
“Le curating est le reponse…”, Paul O’Neill, 02#35, p.14-16, 2005, Nantes, France
“Per Hüttner,” Fergal Stapleton, c magazine 80, p.41, 2004, Toronto, Canada
“I Am A Curator” Paul O’Neill, Art Monthly 275, p.7-10, 2004, London UK.
“Med världen som arbetsplats,” Anders Olofsson, Konstperspektiv; cover, back cover, p.24-27; April 2002; Malmö, Sweden
“A Tasty Treat Curatorial Market,” James Westcott, Zingmagazine 18; p.270-272; 2003; New York, USA
“Nightmares of Reason,” Adbusters, p.108-109; May-June 2003, Vancouver, Canada
“A Western Runner,” Laurent Devèze, Mare Articum 1, p.58-63, 2002, Poland
Tank Book, Thames & Hudson; 2002; London, UK
“Artists on the Move,” Duncan McLaren, Contemporary, p.56-61; June-Aug 2002, London, UK
“3 in 1: Curatorial Mutiny, Part 4,” Neal Brown, Frieze 60, p.118-119, 2001, London, UK
“Curatorial Mutiny @ Nylon,” Lee Triming, Flash Art International, p.79, May-June 2001
“Dokumenterad 30 års kris,” Nils Forsberg, Spy, p.41-46, August 2000
“Running Project,” Claire Canning, Tank 9, p.232-241, London, UK
“Løpekonstnären,” Marit Paasche, Frotté 2, Oslo, Norway
“TalePiece,” Caroline Smith, Creative Camera, p.50-51, April-May 1999, London, UK
“Labyrinthen i Gdansk,” Daniel Birnbaum, MAMA, p.30-31, September 1994, Stockholm, Sweden
“Elias Arnér and Per Hüttner,” Tom Sandqvist, Siksi, January 1993, Helsinki, Finland


Selected Published Texts in Exhibition Catalogues (by the artist)
“Microbes Art and Ontology – A Reflection on the artistic Potential of Microbes” (pp.50-75) Governing Bodies, Vision Forum, Stockholm, 2022,
“Four Questions.” A Palliative Turn, Brandenburger Kunstverein, Potsdam, 2021
“Shamanism, Performance – Text and Spoken Words”, d’Exentricité(s), ISBA, Besançon, France, 2021
“Espoire et Performance” (pp.229-237) in Art Performance, manoeuvre, coefficients de visibilité, Les Presses du reel, 2019.
“The Carnivalesque and the Unknown” (pp. 368-379) Aspirations, L’aspirateur/Paon diffusion, France, 2019
“Förord,” p. 7-10 in Grymhetens konst, Freddie Ross, Vision Forum, 2019
“Mending a Broken World/Att hopfoga den sönderfallande världen” (pp. 13-40), Forum för Levande Historia, Sörmlands museum, Stockholm/Nyköping, 2018
“30 år med Maria Bonnier Dahlins stiftelse,” Bonnierskonstall, Stockholm, Sweden, 2016
“Digging a Whole,” TRIAD, Räumen der Kunstakademie Münster, Germany, 2015
“Li Xiaofei’s Assembly Line,” pp. 152-154 and pp. 2010-11 in Li Xiaofei’s Assembly Line, OV Gallery, Shanghai, China, 2014
“Never Forget Temporality,” The Inclusion, David Roberts Arts Foundation, London, UK, 2013
“Working with China” (with Rebecca Catching and Chen Hanfeng) p. 35-50 in Vision Forum Film (English and Chinese) ed. Rudi Heinrichsen, Published by Vision Forum, Stockholm, 2013
“Never Forget Temporality” p. 21-33 in Vision Forum Film (English and Chinese) ed. Rudi Heinrichsen, Published by Vision Forum, Stockholm, 2013
“OuUnPo and Globalisation” Guest Author of the Month, August 2012, on Global Art and the Museum website
“Think Again,” Think Again, ed. Li Xiaofei. Published by FCAC, Shanghai, 2012
”Mudslides” What Can We Learn from Nature Greendays, neon>campobase, Bologna, Italien, 2011
“Shotgun and Tape recorder,” The Invisible Generation, ed. Gerrie van Noord, Published by Vision Forum, Stockholm, 2011
“(In)Visible Dialogue”, (In)Visible Dialogues, E. Arnér and P. Huttner (red.), Published by Dent-de-Leone 2011.
“Poiïv”, Strategic Question no 2, Bookworks, London, 2008
(Anti)Realism, Youth, Youth, Youth, GAFA, Guangzhou, China, 2008
“Introduction” (Anti)Realism, Norrköpings konsthall, Norrköping, Sweden, 2008
“The Pain of Realising a Dream”, Reflejos culturales de Europa en España, The Embassy of Germany in Madrid, Madrid, 2007.
“Giacometti, Hjort and Hüttner”, Fondation Alberto et Anette Giacometti, Paris, 2006.
“Med Akuten i Backspegeln”, Konstakuten 1996-2006, Konstakuten, Stockholm, 2006, p. 25-6.
“It is Good to Be an Artist Again,” The Yugoslav Biennal of Young Artists Vrsac 2004, Centre for Contemporary Arts, Belgrade, Yugoslavia 2004, p 209-212
“Pleasure and Pain all Rolled into One,” BIDA 2003, Centro de Arte de Salamanca, Spain, p.110-113
“Re-inventing Romanticism,” Aletheia, The Real of Concealment, Göteborgs Konstmuseum, Sweden, 2003, p.32-35.
“..all we need is a preacher and motel…,” (editor and writer of introduction) Galerie Friche Belle de Mai, Marseille, France 2002
“How do we Keep on Meeting?,” 9-10 Ottobre 1999, Oreste at The Venice Biennale, Italy, 1999
“Changes,” Ihop, Lunds Konsthall, Sweden, 2000, p.46-47
“Offshore: A Three-Step Guide to Fame and Fortune” (with Gavin Wade), Offshore, Kunsthallen Bergen, Norway, 2000


Selected Published Articles in Magazines (by the artist)
“The Bank of Verbs”, Nowiswere 10, London and Vienna 2012.
“Notes from a Grainy Surface” (w. Fatos Üstek), A Clock that Runs on Mud, Nero Magazine, Rome, 2011.
“The Encounter” – A Play in 5 Acts” (w. Fatos Üstek), Nowiswere 9, London and Vienna 2011
“Liquid Nitrogen – A Play in 5 Acts” (w. Fatos Üstek), Nowiswere 8, London and Vienna 2010
“0K – A Play in 5 Acts” (w. Fatos Üstek), Nowiswere 7, London and Vienna 2010
“The Hobbes Opera”, Konsten, Stockholm, Sweden, December 2008
“Patrik Andiné”, Speech, Melbourne, Australia, December 2008
“Poiïv”, Slashseconds, issue 006, London, 2007
“Democracy and Desire”, Slashseconds, issue 004, London, 2006
“It is Good to Be an Artist Again”, Slashseconds, issue 003, London, 2006
“The Topography of Experimentation”, Semaine no 73, Pougues-les-Eaux, 2005, p. 16-19.
“Meandering and Circling”, Nord Magazin, Berlin, 2005, p.32.
“The Diary”, TANK, Five year issue, London 2003.
“The Artist as Curator,” Mare Articum 1, Poland, p.72-82,
“The Artist as Curator,” Raid Projects Journal, Los Angeles, USA, 1/2002, p.12-17
“Interview with Ali Maher, Darat al Funun,” D-Pict, London, UK, 2/2000, p.56
“Cecilia Parsberg,” Creative Camera, London, UK, 3/1999, p.45
“Report from Riga,” Creative Camera, London, UK, 2/1999, p.10
“Artist Curator,” AN-Magazine, Newcastle-upon-Tyne, UK, 03/00
“Get Together. Art as Teamwork,” Creative Camera, London, UK, 4/1999, p.45


Selected Teaching
Vision Forum, (Founder and director), International research network 2015-
Institut supérieur de beaux arts de Besançon (member of the board), Besançon, France 2011-2021
Vision Forum, (Founder and director) Campus Norrköping, Linköpings Universitet, Sweden, 2009-15
Kungl Konsthögskolan, Stockholm 2013
External subject specialist for a practice-based PhD at Kungl Konsthögskolan, Stockholm 2012
Université Michel de Montaigne Bordeaux 3, Bordeaux, France, 2010
École superieur d’art de Mulhouse, Mulhouse, France 2006
Pennsylvania Academy of Fine Arts, Philadelphia, USA, 2005
École nationale supérieure d’art de Nancy, France 2004-2005
KSM, Campus Norrköping, Linköpings Universitet, Sweden, 2003-2009
Goldsmiths College, London, UK, 2003
Emily Carr Institute of Art and Design, Vancouver, Canada, 2003
Valand School of Arts, Göteborg, Sweden, 1998-1999, 2002-2003
Kunstakademiet, Bergen, Norway, 1999-2000
Forsbergs International School of Design, Stockholm, Sweden, 1997-2001
University of Northumbria, Newcastle-upon-Tyne, UK, 1997


Selected Lectures, Workshops and Seminars
- Hypnotherapy, workshop in Paris with Thomas Auroux, 2023
- One Step closer to the Abyss, workshop in London with Tomas Nordmark, 2023
- Do Trees Dream of CO2, Earthwise, Bogens, Denmark, 2023
- Torsk på Tekniska, Tekniska museet, Stockholm, 2023
- Biofeedback HH, Huhta Home Studios, Köpenhamn, 2022
- Biofeedback MSH, Maison des Sciences de l’Homme, Paris, 2022
- The Palliative Turn, Künstlerhaus Bremen, Bremen, 2022
- Conditioned by Dreams, Teatermaskinen, Riddarhyttan, 2022
- The European Film College, Ebeltoft, Denmark, 2022
- Do Trees Dream of CO2, Earthwise, Ebeltoft, Denmark, 2022
- Microbes and Emergence – Governing Bodies, Bioart Society and Akusmata, Helsinkfors, 2022
- Delta, Residency and workshops, Fondazione Lac o le mon, Lecce, Italy, 2022
- Cod Spawning, Flødevigen Research Station, Arendal, Norway, 2022
- EEGsynth workshop, Darb 1718, Cairo, 2022
- Emmanuel’s Demise, workshop in London with Tomas Nordmark, 2022
- V8skan (with Åbäke) Cairo, 2022
- Local Role Models, Rawabet Theater and other public and private venues, Cairo.
- An Infinite Love, Museum Fragonard, Collection Dupuytren, the Swedish Institute, Museum of History of Medicine, Paris., 2021
- Circle Squared, KTH, Stockholm, 2021
- Governing Bodies, The Royal Academy of Fine Arts, Blågårdens bibliotek etc. Copenhagen, 2021
- Delta, Residency and workshops, Fondazione Lac o le mon, Lecce, Italy, 2021
- Circle Squared, Huhta Home Studios, Copenhagen, 2021
- Governing Bodies, Östersund, 2021
- An infinite Love, Galerie Analix Forever, Geneva, 2021
- Out of the Circle, Cairo, 2021
- Delta, workshops in Bologna and Marzabotto, Italy, 2020
- 1+1=3, Huhta Home Studios, Copenhagen, Denmark, 2020
- Untitled Biofeedback Project, KTH, Stockholm, Sweden, 2020
- Preparing for “Transformation III” sessions in Paris, 2020
- Governing Bodies, Online webinar and cooking event for improved microbiota, 2020
- The Nature inside, Media Artes and Italienska Palatset, Växjö, Sweden, 2020
- Subject/Object and Lygia Clark, The Nature Within, Italienska palatset, Växjö, 2020
- Revolution Hub, The 6th Ghetto Biennial, Port au Prince, Haiti,2019
- Transdisciplinary Romanticism, Sao Paulo Escola de Teatro, Sao Paulo, Brazil, 2019
- Transdisciplinary Romanticism, MT Escola de Teatro, Cuiabà, Brazil, 2019.
- The EEGsynth, Akusmata, Helsinki, Finland, 2019.
- Are You Touched, Energiverket, Jakobstad, Finland, 2019.
- Transformation, Stockholm, R1, KTH och Under Broen, Stockholm, 2019.
- The Nature Inside, Karolinska institutet, AllArt Now och, Stockholm, 2019.
- Are You Touched, Karolinska institutet och, Stockholm, 2019.
- Transversality, CICO (Center for Choreographic Research), Mexico City, 2019
- EEGsynth at UNAM, Instituto de Investigaciones Filosóficas (Institute of Philosphical Research) of the National Autonomous University of Mexico, Mexico City, 2019
- Residens, Energiverket, Jakobstad, Finland, 2018
- Nörd Café, Tekniska museet, Stockholm, Sweden, 2018
- Vårt behov av tröst,, Stockholm; Medicinskt Museion, Köpenhamn och Energiverket Jakobstad, 2018
- Känslornas kokbok, Tekniska museet, Stockholm, Sweden, 2018
- The Boundaries of Death Challenged, Pikene på Broen, Kirkenes, Norway, 2018
- More Eyes, Vasconcelos Library and CICO, Mexico City, Mexiko and Torrance Art Museum, Torrance, California, USA, 2018
- The Future of Work, Vision Forum på Vallastaden, Vallastaden 2017, Linköping, Sweden, 2017
- Roald Hoffmann on Art, Chemistry and the Spiritual, Nobelmuseum, Sweden, 2017
- Morgondagenskonstpublik på Hallwylska museet, Hallwylska museet, Stockholm, , Sweden, 2017
- What is Habit? Fullersta Gård, Huddinge, Sweden, 2017
- Riding the Donkey Backwards, Global Media Café: A Second Home: Mediating Borders and Hospitality, Stockholms universitet Stockholm, Sweden, 2017
- MKP Spring and Autumn Meetings , various venues in Östergötland, Sweden 2015-2017 (organisor and moderator)
- Riding the Donkey Backwards, Fullersta Gård, Huddinge, Sweden, 2016
- The EEGSynth, EMS Stockholm, Sweden, 2016
- Riding the Donkey Backwards, workshops i Stockholm and Antwerp.
- Morgondagens konstpublik, Linnéuniversitet, Sweden, 2016
- BrainHack, Ecole Normale Superieur, Paris, France, 2016
- Performing Objects, Enough Room for Space, Brussels, Belgium, 2016
- OuUnPo Sweden, The Fugue, Bonniers konsthall, Hallwylska Museet, IASPIS etc., Stockholm, Sweden, 2015
ARTIST AS ORGANISER [A history with a present and a (probable) future], Athens School of Fine Arts, 2015
- The EEGSynth Greece, Athens, Greece, 2015
- We Are what We Have Lost, OuUnPo Sao Paulo, MAM, Pinacoteca, Videobrasil etc.
, Brazil, 2014
- OuUnPoeïses, Fondazione Orestiadi and CRESM, Nuova Gibellina, Sicilien, Italy, 2014
- Change and Exchange, Halle 50, Werkstattkino München och FCAC i Shanghai och Collaboration Project Munich, 2014
- All the Worlds that you Word, GAM at ZKM i Karlsruhe, Germany, 2014
- Vision Forum Spring and Autumn Meetings, various venues in Östergötland, Sweden 2010-2014 (organisor and moderator)
- OuUnPo Japan, Godzilla and the Phoenix, Mori Art Museum, Spiral, Bankart 1929 and many more venues in Tokyo and Yokohama, Japan, 2013
- Temporality and Dis-Location of Self, four workshops in around Stockholm, Botkyrka konsthall, Hallwylska palatset and various public locations, 2013
- An Opera in Five Acts, David Roberts Art Foundation, London, UK, 2013
- OuUnPo Lebanon “QUANTUM FLUCTUATIONS OF A SYNECDOCHIC UNIVERSE”, Ashkal Alwan, Beirut Art Center, 98Weeks, Musée National de Beyrouth, UMAM Research and Documentation Centre and Batroun Projects, Lebanon, 2012
- Ö a Moebius Trip, Stockholm, Sweden, 2012
- Think Again, FCAC, Rockbund Art Museum, Mingshen Art Museum etc. Shanghai and Hangzhou, China – Vision Forum
DRAF Opera, David Roberts Art Foundation, London, UK, 2012
Curation, 131 Arts, Tokyo, Japan, 2012
Art without Representation?-a journey that inspires difference, Kungl. Konsthögskolan, Stockholm, 2012
L’art sens représentation? ISBA, Besançon, France, 2012
What Art Can Do, Mingshen Art Museum, Shanghai, 2011
Dionysus in China, Guilin Art Museum, Guilin, China, 2011
Dionysus, Platform, Vaasa, Finland, 2011
Film? Université Michel de Montaigne Bordeaux 3, Bordeaux, France, 2010
>Unknown, Zendai Contemporary Art Exhibition Hall, Shanghai, 2010
The Invisible Generation, Ullens Center for the arts, China, 2010
The Invisible Generation, Les’ Kurbas Center, Kiev, Ukraine, 2009
The Stockholm Syndrome, The Royal Academy of Fine Arts, Stockholm, 2009
Vision Forum, Accademia di Belle Arti, Rome, 2009
Curate, White Space, Zürich, 2008
Utopia, Amsterdam, 2008
(Anti)Realism, GAFA, Guangzhou, China, 2008
Workshop Under Construction, Zendai MOMA, Shanghai, China, 2008
Liquid Forum, 1:1 Projects, Rome Italy, 2008
Per Hüttner- Interieur Public, with Véronique Wiesinger, Laurent Devèze and Dariush Moaven Doust, organised by Echolalie, Centre Culturel Suèdois, Paris, France, 2007
Topology of Transgression, Storrady, Szczecin, Poland, 2006
Memory?, Guangdong Museum of Art, Guangzhou, China, 2006
Repetitive Time, Göteborgs Konstmuseum, Sweden, 2006, ICA, London, UK, 2005
Pennsylvania Academy of Fine Arts, Philadelphia, USA, 2005
After Curation, Vrsac Biennial, Students Cultural Centre, Belgrade, Yugoslavia, 2004
Arts Administration and Management Diploma, Birkbeck College, University of London, UK, 2004
Aletheia: The Real of Concealment, Göteborgs konstmuseum, Sweden, 2003
Konsthögskolan, Stockholm, Sweden, 2003
School of Fine Arts, University of Southern California, Los Angeles, USA, 2001
Visual Art Council of Zambia, Lusaka, Zambia, 2000
Exhibitions a Practical Matter, NIFCA/Helsinki City Museum, Helsinki, Finland, 1999
Moderator, First European Seminar for Artist-Run Spaces, Konstakuten, Stockholm, Sweden, 1999
Red Arte, Museo De Bellas Artes San Pio V, Valencia, Spain, 1999
North Meets South, Latvian National Museum, Riga, Latvia, 1998
Synergetics Institute, Hiroshima, Japan, 1992
Tsukuba University, Departement of Fine Arts, Tsukuba, Japan, 1992